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I really liked season one of the Mandalorian and fuck anyone who wants to ruin my fun.That's exactly right: "The Mandalorian was good...compared to The Rise of Skywalker."

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I really liked season one of the Mandalorian and fuck anyone who wants to ruin my fun.That's exactly right: "The Mandalorian was good...compared to The Rise of Skywalker."
It was good. It’s certainly not the best Disney material.There is modern SW that I like, but not the prequels, and mostly not the sequels. Rogue One I thought was fantastic if that helps people track where I'm at.
So should I be looking for one of those Not sure if serious memes?It was good. It’s certainly not the best Disney material.
The Clone Wars season 7 is the best and then some other stuff.So should I be looking for one of those Not sure if serious memes?
OK, yeah, that's facts. Season 7 was awesome.The Clone Wars season 7 is the best and then some other stuff.
The fool who buys the tapped out franchise for a billion dollars and has no idea what to do with it.
Yeah, but when that shit happens in classic opera the whole audience isn't groaning and pretending to throw up into their popcorn.
There's not enough popcorn in classical opera.
That's not what I heard.There's not enough popcorn in classical opera.
I actually thought the first Mandalorian was good. Period. The second not so much. I haven't even watched the third one yet."The Mandalorian
George Lucas cannot write dialogue. At All. Ever. He should be smacked on the nose with a rolled up newspaper if he even thinks about it.
A force push right there could’ve saved the galaxy a lot of trouble. Not even a push, just a tap. If only Chubbs was Bens mentor.Yeah it wasn't great but I thought the pay-off was pretty damn good. The high point of the prequels.
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He also was willing to work with other screenwriters and directors on the original trilogy to cover his own weaknesses. If he knew he was a bad dialogue writer, then there really isn't any excuse given that he could have hired just about anybody in Hollywood at the time to punch up the screenplay.To be fair Lucas himself doesn't care for his own dialogue writing. For his early films (THX 1138 & American Graffiti) he would shoot his actors at a distance and allow them to improvise using the written dialogue as a guide. Both of those films have much stronger dialogue than SW.
For SW he couldn't shoot that way because of the expense of shooting that kind of big budget, effects-heavy film. Shooting SW was such a bad experience for Lucas I suspect that's why he didn't direct Empire or Return.
I would assume the prequels were similarly too expensive to shoot in the style he actually prefers.
I loved it personally. The only thing that could make lightsaber dueling better was a complete redo of it, which they won't do because of what the audience expects. I wish they'd treat them like what they are rather than swords and then completely butcher swordsmanship principles.I really disliked the fight between Ben and Anakin. Something I was looking forward to. It could’ve been an amazing sequence but they wound up swinging on ropes.
He could've just kicked him in too. My guess is that Obi Wan was too lazy to use the force and didn't want to get BBQd long pig on his shoes.A force push right there could’ve saved the galaxy a lot of trouble. Not even a push, just a tap. If only Chubbs was Bens mentor.
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Maybe, but between botching the recovery of the Death Star plans and getting distracted from mopping up the remnants of the Rebellion after the Battle of Hoth by chasing his son, Vader was kind of a liability. And, let's not forget, he's the guy that kills the Emperor. He might have had a more competent and reliable righthand man if Obi-Wan killed Anakin.A force push right there could’ve saved the galaxy a lot of trouble. Not even a push, just a tap. If only Chubbs was Bens mentor.
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Who would want to go along with that? It was one of the dumber ideas in the prequels. If Palpatine wanted to break with the nonsensical tradition, why take an apprentice at all, especially one that was particularly strong in the Force?Palpatine didn’t really want to go along with the Sith philosophy of the apprentice becoming more powerful than the master and killing him to take his place.
Palpatine still followed the Rule of Two. He needed an enforcer, which Vader was very good at. Anything less than having another Sith Lord wouldn’t do. A thousand years prior, the Sith were like the Jedi, but infighting and wars decimated their numbers and they accomplished little.Who would want to go along with that? It was one of the dumber ideas in the prequels. If Palpatine wanted to break with the nonsensical tradition, why take an apprentice at all, especially one that was particularly strong in the Force?
Exactly. You can have dark side users that are not sith.Well, sure you could have two Sith and a bunch of Inquisitors running around. But they don’t get the Darth title. Sidious wanted Luke to join him and Vader. It would have worked for a couple of minutes. Then Luke would have killed his father and became Darth Cestuous.
This is hilarious and on theme for the Sith.Then Luke would have killed his father and became Darth Cestuous.
...Then Luke would have killed his father and became Darth Cestuous.
He also was willing to work with other screenwriters and directors on the original trilogy to cover his own weaknesses. If he knew he was a bad dialogue writer, then there really isn't any excuse given that he could have hired just about anybody in Hollywood at the time to punch up the screenplay.
Palpatine still followed the Rule of Two. He needed an enforcer, which Vader was very good at. Anything less than having another Sith Lord wouldn’t do. A thousand years prior, the Sith were like the Jedi, but infighting and wars decimated their numbers and they accomplished little.
Darth Bane instituted the rule to better achieve their goals of galactic domination, with its culmination being Palpatine. I think he expected Vader to be more powerful than himself but his defeat on Mustafar and the mental roadblocks changed Palpatine’s mind, which is why he went after Luke as soon as possible.
The reason Palpatine probably changed his mind about sticking around and not dying was when the Kaminoans discovered how to clone and do it effectively. It opened a path to immortality for the Sith who didn’t believe in a life after death. He could cheat the natural order and insert his spirit into a new body.
While I agree 100% you have to admit that grandpa Palpatine is a hilarious concept.i really wish they'd kept Rey as nobody from nowhere. I wish she'd become like Clint Eastwood's man with no name. A mysterious stranger who wanders into town, kills half of everyone and wanders off again.
Or potentially an interesting one from a dramatic perspective. I've already stated that I fundamentally hate the idea of bringing Palpatine back, but putting that aside, think of all the interesting things you could do with Rey being the Emperor's granddaughter. The original trilogy made Darth Vader being Luke's father into something powerful, and Rise of Skywalker used Palpatine being Rey's grandfather for a boss fight. Even beyond any relationship between them, she's the literal heir to the Empire. That opens up all kinds of possibilities like misguided Republic supporters wanting her dead for fear she will be used to restore the Empire.While I agree 100% you have to admit that grandpa Palpatine is a hilarious concept.
I think its more that they can't clone Feige and Kennedy isn't a good facsimile. They need to give someone control and doing that with such a big property is counter to bean counter and power broker instincts- they have to meddle.Of course, you can only get those stories when you plan out your plots more than one scene ahead, something Disney is incapable of.
Or potentially an interesting one from a dramatic perspective. I've already stated that I fundamentally hate the idea of bringing Palpatine back, but putting that aside, think of all the interesting things you could do with Rey being the Emperor's granddaughter. The original trilogy made Darth Vader being Luke's father into something powerful, and Rise of Skywalker used Palpatine being Rey's grandfather for a boss fight. Even beyond any relationship between them, she's the literal heir to the Empire. That opens up all kinds of possibilities like misguided Republic supporters wanting her dead for fear she will be used to restore the Empire.
Of course, you can only get those stories when you plan out your plots more than one scene ahead, something Disney is incapable of.
Yes, the more valuable a property becomes, the more it draws people to it that have little actual interest in it. The first three phases of Marvel were good because they had comic book fans working on the movies. By Phase 4, Marvel was clearly too big to let nerds play run it. It's the same thing that seems to be happening with D&D over at Hasbro.I think its more that they can't clone Feige and Kennedy isn't a good facsimile. They need to give someone control and doing that with such a big property is counter to bean counter and power broker instincts- they have to meddle.
MCU wasn't that big originally and was a gamble so Feige had control. As it became bigger people tried to erode that control and you see it in the output. You need someone who loves the work and the property and has a vision of more than 1 or 2 works ahead at the helm and they don't have that.
Yes, that seems accurate. And Rian Johnson's likes to do a rug pull every scene to the point of absurdity, which is not a good approach when you are trying to maintain an ongoing franchise. And when you combine both their approaches, you get a bigger mess than either could achieve alone.I think that JJ Abrams seems to have scenes in his head that we wants to do whether or not that scenes fits the story or is even internally consistent. His movies jump from set piece to set piece. For example, in one of the Trek movies, gravity on the ship was shifting randomly within the ship - he seems to have just wanted people and objects being pulled in various directions. But it was mainly stupid.
Instead of the Duel of the Fates, the Duel of the Directors. Each wanted to do their own thing and the whole trilogy seemed like an exercise in spite after the first OK outing.Yes, that seems accurate. And Rian Johnson's likes to do a rug pull every scene to the point of absurdity, which is not a good approach when you are trying to maintain an ongoing franchise. And when you combine both their approaches, you get a bigger mess than either could achieve alone.