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View attachment 24241
"Hey guys, I've got an idea! Let's fly upside down at a diagonal angle to the street layout so we can maximize the possibility of colliding into a large building!"
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View attachment 24241
"Hey guys, I've got an idea! Let's fly upside down at a diagonal angle to the street layout so we can maximize the possibility of colliding into a large building!"
That bowstring....From the same artist?
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Personally I think everything before 1990 should get a free pass.
heyEndless Flight or
Apparition
how hard would this be to add to our emoji catalogue?
View attachment 24240
Owned it for almost two decades. Never even looked at the bowstring...That bowstring....
I would be embarrassed to have those covers on my products.
And yes sex sells
I don't think in this case it did. I remember these languishing in dollar bins for years.
Maybe if they'd come out before AOL...
I think there are two types of bad covers:I would be embarrassed to have those covers on my products.
Well, they certainly worked to draw attention to the products. We're still talking about them almost two decades later.
Frazetta was one of the pioneers of cheesecake in fantasy art - the other one that comes to mind is Boris Vallejo. I wouldn't claim to be a rabid fan of either, but they sort of defined a genre. However, I do find blatant cheesecake a bit jarring on RPG covers; some of the examples above seem like they were just done to attract the attention of horny 14 year olds.I think there are two types of bad covers:
(1) Bad art
(2) Tacky or inappropriate art
For me, bad art is just something where the artist has low talent (or something I think I could have thrown together). Tacky art could be really well done, but not so appropriate for a particular project. A lot of Frazetta art is awesome but I wouldn't want it on the cover of a project because of the bare breasts or whatever, so I might classify it as "tacky" even though Frazetta is one of the greatest fantasy artists of all time.
Some of these covers aren't poorly done, but aren't appropriate for my kids to look at if I leave a gaming book around the house. Some of the covers are just bad.![]()
lol, I'm not sure this is a "any press is good press" situation.
Is the company, Avalanche , still around?
The cheesecake thing was so weird as Avalanche was known at the time for its well-received historical wargames, and its D20 line was geared toward playing historical settings. The Avalanche name should have given them an edge in selling their books to people wanting historical settings, but those same people recoiled from those covers.from all accounts (meaning RPGnet at the time), the content inside was pretty straightforward (even possibly decent) and the cheesecake was relegated to the covers. Can't help but wonder if that was reversed (cheesecake just on the nside) how much better they may have fared.
That's a fair point, but I seem to recall they got in the game very early. The covers certainly did help them linger in our memory, but it was also still a novelty to see third-party D&D books at all when these started coming out.I don't think "languishing in dollar bins for years" really says much of anything about products during the d20 glut. There was tons of d20 stuff that languished for years, the overwhelming majority of which no one remembers because they didn't even have racy covers to distinguish them.
It was the time of goaste.cxCarrying on from my last post, I wonder if the covers suggested a certain contempt for the RPG scene. I can remember from my childhood the real grognards (not the ironic misuse of the word for people that played D&D) with their Napoleonic minis who looked down on RPGs as foolish kids' stuff that was ruining the scene. Given Avalanche's background, it is possible that the covers were an attempt to provide what they thought RPG players would like.
If that's the case, I think it is a strategy that might have worked back in the '80s when the demographics of D&D leaned much more heavily toward teenagers and the world was more porn-starved.
Not much use - the pages would have gotten stuck together.from all accounts (meaning RPGnet at the time), the content inside was pretty straightforward (even possibly decent) and the cheesecake was relegated to the covers. Can't help but wonder if that was reversed (cheesecake just on the nside) how much better they may have fared.
Carrying on from my last post, I wonder if the covers suggested a certain contempt for the RPG scene. I can remember from my childhood the real grognards (not the ironic misuse of the word for people that played D&D) with their Napoleonic minis who looked down on RPGs as foolish kids' stuff that was ruining the scene. Given Avalanche's background, it is possible that the covers were an attempt to provide what they thought RPG players would like.
If that's the case, I think it is a strategy that might have worked back in the '80s when the demographics of D&D leaned much more heavily toward teenagers and the world was more porn-starved.
If that's the case, I think it is a strategy that might have worked back in the '80s when the demographics of D&D leaned much more heavily toward teenagers and the world was more porn-starved.
That's the thing the did cover areas not commonly covered, they were not terribly expensive as I recall and they appealed to the while D20 concept of "this system can do anything!"I think it was because it was the early 2000s and they were coming at it from two angles: tongue in cheek AND titillation. But maybe more than that: attention. Those books got attention, whether it was positive, negative, or just amusement. It was the d20 boom, all the books on the shelf looked and felt the same. These books stuck out (which is all a supplement X for d20 needs to get a sale). I had about three of them. Been ages since I read them. To me they almost seemed like collectibles because even for the time they were outrageous. But I think most people bought them out of amusement and the conversation element of the cover. Also, if you needed a book on Vikings or Desert campaigns, they were not bad in a pinch
Only just, though.That's the thing the did cover areas not commonly covered, [ . . . ]
They might have just been highlighting the 'compliant' part, IDK, different strokes right?They really want you to know that it's compliant with the OGL...
Sex Moves!What actually was the content of that book? Was it like just a catalogue of Slaanesh-esque sexy monsters like Succubi, or were there actual attempts at rules for "Adult Situations"?
I actually did a quick read of the supplement above (and its core "Celtic Age"). It's fairly good actually.from all accounts (meaning RPGnet at the time), the content inside was pretty straightforward (even possibly decent)
Sex Moves!
Good question. After a quick google search, the answer seems to be Yes.
They have a currently updated website and focus on historical boardgames. Sadly, there doesn't seem to be any photoshopped 90s porn.
It also had an adventure where our heroes try to find why the dysfunctional, inbred, jealous and petty inhabitants of the frozen wasteland keep disappearing. In other words, it was an allegory for the wargame industry.
Yeah, but Caldwell was GOOD.Caldwell was responsible for A LOT of sales in the 80s