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I was just reading that the vocal effect on this song was produced by Tony Visconti recording David Bowie at a large concert hall at the Hansa recording studio in Berlin. Visconti put "three microphones at intervals along the length of the hall, one very close to Bowie, one halfway down the hall, and the third at the far end of the hall. During the recording, Bowie sang each verse progressively louder than the last and as he increased volume in each verse, Visconti opened up each of the three microphones in turn, from closest to farthest. Thus, in the first verse, Bowie's voice sounds close, warm and present; by the end of the song, Visconti has mixed in a large amount of signal from all three microphones, giving Bowie's voice a strikingly reverberant sound."
No, it was in an article about echo chambers. But that looks like one to add to the list.Is this the book you’re reading? It’s excellent and where I first read about Visconti’s recording techniques with Bowie.
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Swans – It's Coming It's Real
I think its regional. Here in New Jersey, you can't listen to classic rock/pop station for an hour without hearing a Billy Joel song. In fact, I heard "Scenes from an Italian Restaurant" while getting a haircut yesterday.Cheating again with two from The Nylon Curtain. Billy Joel doesn't seem to get mentioned much anymore for a versatile guy with a big catalogue of really good songs.
Haven't thought of this band in 10 or 15 years...I used to play the whole album of the same title quite a lot. Came at the start of my sophomore year of college. Everybody except me seemed to like grunge. (I still don't.) I have no idea where my copy of this LP disappeared to. Good chance I lent it to a girl who never gave it back.